selected Poetry
Moist Poetry Journal (April 2024): "Dear words I do not yet have,"
Guesthouse (September 2023): "Skipping Steps"
Still: The Journal (June 2022): "He Tripped, Rabbits in Hand, on his Way Home," "Dear Future Child," and "Coming Home"
Moist Poetry Journal (September 2021): "My Grandmother Describes Her Father"
The Shore (March 2020): "Paradise"
3Elements Review (February 2020): "Poem after Campbell McGrath's 'Night Travelers'"
Peatsmoke (April 2019): "Memoria" and "On recognizing again my surroundings, the way my body feels cold-alive when bared to rain"
Cumberland River Review (October 2018): "Cardinals"
Oxidant Engine (September 2018): "On remembering where we swam, the time that's passed since then," "On hearing your voice over the phone, I want to ask for your touch," and "On waking in the night, at first unable to see, and yet knowing"
Still: The Journal (October 2017): "Settling," "Appalachia," and "Listening"
Whale Road Review (Sept. 2017): "Hand-Stitched"
The Cresset (June 2017): "Selah"
Heartwood Literary Magazine (April 2017): "Our First Southern Winter"
Still: The Journal (October 2016): "Pantoum: The Sycamore Tree"
Stirring: A Literary Collection (October 2016): "Hold Out as Long as You Can" and "The Tennessee River"
Valparaiso Poetry Review (Spring/Summer 2015): "Three Months after the Fire"
Guesthouse (September 2023): "Skipping Steps"
Still: The Journal (June 2022): "He Tripped, Rabbits in Hand, on his Way Home," "Dear Future Child," and "Coming Home"
Moist Poetry Journal (September 2021): "My Grandmother Describes Her Father"
The Shore (March 2020): "Paradise"
3Elements Review (February 2020): "Poem after Campbell McGrath's 'Night Travelers'"
Peatsmoke (April 2019): "Memoria" and "On recognizing again my surroundings, the way my body feels cold-alive when bared to rain"
Cumberland River Review (October 2018): "Cardinals"
Oxidant Engine (September 2018): "On remembering where we swam, the time that's passed since then," "On hearing your voice over the phone, I want to ask for your touch," and "On waking in the night, at first unable to see, and yet knowing"
Still: The Journal (October 2017): "Settling," "Appalachia," and "Listening"
Whale Road Review (Sept. 2017): "Hand-Stitched"
The Cresset (June 2017): "Selah"
Heartwood Literary Magazine (April 2017): "Our First Southern Winter"
Still: The Journal (October 2016): "Pantoum: The Sycamore Tree"
Stirring: A Literary Collection (October 2016): "Hold Out as Long as You Can" and "The Tennessee River"
Valparaiso Poetry Review (Spring/Summer 2015): "Three Months after the Fire"
Interview & Reading samples
selected Prose
Annulet Poetics Journal (April 2024): "'Daddy' and Anacrusis: On Langston Hughes' 'Dream Boogie'"
Conversations with LeAnne Howe (February 2022): "Interview with Poet LeAnne Howe"
Grist: A Journal of the Literary Arts 12 (August 2019): "In the Middle of a Wound, a Space in Words: An Interview with Joy Harjo"
Whale Road Review (June 2019): "Dear Grandfather,"
Still: The Journal (October 2018): "Higgins Lake"
Conversations with LeAnne Howe (February 2022): "Interview with Poet LeAnne Howe"
Grist: A Journal of the Literary Arts 12 (August 2019): "In the Middle of a Wound, a Space in Words: An Interview with Joy Harjo"
Whale Road Review (June 2019): "Dear Grandfather,"
Still: The Journal (October 2018): "Higgins Lake"
Anthologies
Edited by Jessica Cory and published by West Virginia University Press, Mountains Piled upon Mountains features nearly fifty writers from across Appalachia sharing their place-based fiction, literary nonfiction, and poetry. Moving beyond the tradition of transcendental nature writing, much of the work collected here engages current issues facing the region and the planet (such as hydraulic fracturing, water contamination, mountaintop removal, and deforestation), and provides readers with insights on the human-nature relationship in an era of rapid environmental change.
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Edited by Natalie Peeterse and published by Open Country Press, Bright Bones: Contemporary Montana Writing includes fresh poems, stories, and lyric essays, as well as cross-genre and experimental works from emerging and established writers with enduring connections to "the last best place."
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